Luxe Magazine
It All Figures, by Kelly Vencill Sanchez Photography by Stacy K. AllenNovember/December 2024
ArtsAtl
by Jerry CullumCullum’s Notebook: Connections at Johnson Lowe and Hammonds HouseAugust 12, 2024
Interview with Brian Alfred
Listen to our conversation on the Sound & Vision PodcastOctober 20, 2022
Interview with Brackett Creek
Pete and I sat down with Brackett Creek to talk about being an artist and curator, the forming of F&L and more…March 2022
BURNAWAY
by Carlos NunezInside Out at whitespace gallery, Atlanta, GeorgiaMay 2021
50 Women Project
Thank you to Less Than Half for the studio visit and discussing my work, isolation, language and gesture.October 2020
under main
by Elizabeth GoodmanIntimately Legible: a review of Amy Pleasant at Institute 193December 8, 2019
Artforum
by Katie Geha2019 Atlanta BiennialAtlanta ContemporaryMarch 2019
by Maura CallahanNo Outsiders: The 2019 Atlanta Biennial at Atlanta ContemporaryMarch 15, 2019
Art Papers
Interview with Sarah HigginsBehind the Screen(print) with Amy PleasantFebruary 6, 2019
Maake Magazine
Interview with Emily Burns2018
Iron City Ink
by Jesse ChambersA space to flourishSeptember 2018
World Sculpture News
by Dorothy JoinerWriting Pictures at whitespace gallery, Atlanta, GAVolume 23 Number 4 Autumn 2017
by Brett LevineContinuity and Change: Amy Pleasant in AugustaJanuary 24, 2017
by Lilly LampeCritic’s Picks:John Riepenhoff at Atlanta ContemporaryOctober 2015
Sculpture
by Dorothy Joinerre/form at whitespace gallery, Atlanta, GeorgiaNovember 2014
Create Birmingham
InterviewI Create BirminghamDecember 9, 2014
The Brooklyn Rail
by Shane McAdamsTight ShotJeff Bailey Gallery, NYCApril 2009
by Martha SchwendenerCritics Picks New YorkThe Lure of TellingJeff Bailey Gallery, NYCMarch-April 2004
Art in America
by Max HenryThe Lure of TellingJeff Bailey Gallery, New York, NYDecember 2004
Nashville Scene
by David MaddoxThe Physics of Personal IdentityThe Making of a New TaleRuby Green Contemporary Art CenterNashville, TennesseeOctober 9, 2003
by David PelfreyTime LapseUniversity of Alabama at BirminghamSpring 2003